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CULTURAL DIVERSITY/CULTURAL DIFFERENCE
These terms both refer to the variety of cultures and the need to acknowledge
(riconoscere) this variety to avoid universal prescriptive cultural definitions. Bhabha
employs the terms as oppositions to draw a distinction between two ways of
representing culture.
CATACHRESIS more commonly known as dead metaphor. It is the application of a
term to a thing that it does not properly denote. This term is used by Spivak, linked to
the meaning of appropriation. It is the process by which the colonized take and
reinscribe something that exists traditionally as a feature of imperial culture or
colonizer, such as parliamentary democracy. Another common and empowering
catachresis is the application of the term “nation” to a social group in existence
before colonization, such as the zulu nation, the aboriginal nation etc.
MIMICRY is an important term in post-colonial theory. It describes the ambivalent
relationship between colonizer and colonized. It is a process of imitation of colonizer
from colonized. The colonized mimic the colonizer, by adopting the colonizer’s
cultural habits, assumptions, institutions and values. The result is a “blurred (confusa)
copy” of the colonizer. This is because mimicry is never far from mockery and it can
appear as a parody. However, the idea of mimicry was introduced by colonizers.
HYBRIDITY is one of the most disputed and employed terms in post-colonial
theory. It refers commonly to the creation of new transcultural forms within the
contact zone produced by colonization. It is a term also used in horticulture where it
refers to the cross-breeding (incrocio) of two species by grafting (trapianto) or cross-
pollination to form a third, hybrid species. Moreover, hybridization takes many
forms: linguistic, cultural, political, racial etc. Linguistic examples include pidgin and
creole languages. Furthermore, recently, the term has been associated with the work
of Bhabha, whose analysis of colonizer and colonized relations stresses their
interdependence and the mutual construction of their subjectivities.
AMBIVALENCE is a term used in psychoanalysis to describe a continual
fluctuation between wanting one thing and wanting its opposite. It also refers to a
simultaneous attraction toward and repulsion from an object, person or action. It was
adapted into colonial discourse by Bhabha who describes it as the complex mix of
attraction and repulsion that characterizes the relationship between colonizer and
colonized. The relationship is ambivalent because the colonized subject is never
simply and completely opposed to the colonizer. However, according to him
ambivalence disturbs the simple relationship between colonizer and colonized. It is,
therefore, an unwelcome aspect of colonial discourse for the colonizer. The only aim
of colonial discourse is produce subjects who reproduce its habits and values, who
mimicry the colonizer. But instead it produces ambivalent subjects whose mimicry is
never very far from mockery. So, ambivalence describes the fluctuating relationship
between mimicry and mockery.
COLONIAL DESIRE is a term employed by Robert Young, that indicates the extent
to which colonialist discourse was pervaded by sexuality. According to him, the
discourse of colonialism is pervaded by images of transgressive sexuality, of an
obsession with the idea of the hybrid, and with persistent fantasies of inter-racial sex.
FEMINISM AND POST-COLONIALISM
Feminism is an important concept to post-colonial discourse. Tendency to sexualise
the black woman’s body more than the white woman’s, and to associate it with
deviant forms of sexuality.
DOUBLE COLONIZATION is a term that refers to the observation that women are
subjected to both the colonial domination of empire and the male domination of
patriarchy. So, women are doubly colonized by imperial and patriarchal power.
Apocalypse Now
It is a Francis Ford Coppola movie, directed in 1979. In the movie is described the
heart of darkness of Americans and is presented their guilt. There is a sort of criticism
about them. It is inspired by Conrad’s novel “Heart of Darkness”. It is considered as
the most famous movie about the war in Vietnam. It is based on a insoluble moral
dilemma made up by the war, dilemma based on the figures of the colonel Walter
Kurtz, symbol of evil and madness, and the captain Benjamin Willard, symbol of
good and respect for the rules.
Key concepts:
1. Adaptation > transposition of literary text in films (story, context, characters)
2. Appropriation > a form o f adaptation, a process of cultural change. This is
A.N.
3. Indigenization > a production of a strange hybrid in which original values are
changed.
Differences between literary and movie text
Literary Movie
Single narrator 2 different narrative voices:
inside voice (character)
outside voice (external)
Images indirectly described Images dominates , directly described
Description of characters Presentation of characters by images
Space indirectly visible, mediated by Space directly visible
description
Time > ellipsis represented by a blank. Cut of scene > ellipsis, change of scene
Flash-forwards and flashbacks.
Music is not presented Music is only presented here linked to
an emotional function.
Discussion!
Differences between the book and the movie:
1. Main character: Willard and not Marlow, sent in order to kill Kurtz.
2. The characters of the company are military and not civil.
3. Lack of the frame, it is only presented the central story.
4. Substitution of the narration with the external voice.
Symbols: connection between the helicopter’s blades at the beginning and the electric
fan’s blades when Willard is in his room.
Music: protesting music against the war in Vietnam. Ex. The doors, Rolling stones,
Wagner symphony.
Relationship between Willard and Kurtz is similar to that of the novel. Willard is
obsessed by Kurtz.
Coppola interprets Kurtz, while Conrad doesn’t. At the end of the movie, Kurtz is
killed by Willard, while he is declaiming a poem of a modernist poet who denounces
the modern, empty men, slaves of capitalism.
Tiger: Chef has an exaggerated reaction when he saw the tiger. The tiger represents
the nature, a potential enemy that attacks men and runs away. It represents the
violated nature. It is a symbolic scene > all people have lost humanity and contact
with the world and nature because of the war.
The comparison between Willard and Kurtz in the box (gabbia) is a sort of test in
order to see if Willard can figure out (riesce a capire) his world. He hates the
photographer because he has entered in this world without understand it. Colby, the
first sent, had not the capacity to see the horror therefore he become a slave. The right
man that can kill Kurtz and can narrate his story is Willard.
Harsh scene of the sacrifice of the ox (bue): parallelism with the sacrifice scene of
Kurtz. The ox is a projection of Kurtz who became as a victim. He is not only the
monster.
The most important moment of the movie is when Kurtz is died and Willing can take
his place. He has to take a decision: become the new Kurtz or return to humans’
world? He takes a moral decision: he throw the machete in order to demonstrate that
he wants to be free from everything.
Colonialism (1914)
Africa today > 53 states
Geography
Africa is divided in Saharian Africa and Sub-Saharian Africa. The Sub-Saharian
Africa is divided in four parts, too:
1. West Africa (Africa Occidentale)
2. Central Africa (Africa Centrale)
3. East Africa (Africa Orientale)
4. South Africa (Africa Meridionale)
History
The history of Africa can be divided into 3 ages:
1. Pre-Colonial age (from origins to 1884)
2. Colonial age (from 1884 to 1951) > main event is the BERLIN conference
(1884-1885) that divided Africa (the division of Africa).
3. Post-Colonial age (from 1951 to today).
Pre-Colonial age is the age of the creation of various empires and societies, the age
th
of explorations started by Portuguese in 15 century (contact between Europeans and
Africans), period of slave trade, that started very early. There were 4 different routes
of slaves:
1. The Atlantic route or Atlantic triangle
2. The Trans-Saharian route Older form of slave trade
3. The Red Sea route
4. The Swahili coast route
Moreover, in the Pre-colonial Africa there were two main political systems:
1. Segmented political system, based on the fragmentation, on independence > a
kind of democracy (Things Fall Apart)
2. Centralised political system, based on a central power
There are 5 different kinds of Segmented societies, classified from the simplest to the
most complex:
1. Band organization
2. Classical segmented system
3. Universalistic segmented system, based on larger groups
4. Ritually stratified segmented system, organised by rituals (witches, warlocks...)
5. Autonomous village system, formed by independent villages and not by bands
(it is the example of society that we can find in Things Fall Apart).
As concerns centralised political system, there are 3 main forms:
1. Pyramidal monarchy (king at the top, nobles, poor at the bottom)
2. Associational monarchy (similar to pyramidal monarchy, based on a system of
multiples groups > large organization)
3. Centralised monarchy (the power is concentrated in the hands of the king).
As concerns economy in Pre-Colonial Africa, there are many economic systems like:
1. Hunting-gathering (because they are basic activities, basic system of economy,
cacciatori e raccoglitori)
2. Pastoral nomadism
3. Agro-pastoralism (based on pastoral economy and agriculture)
4. Subsistence-oriented trade (based on purchasing to live)
5. Market-oriented trade (it is a better developed form of trade, trade for money
and not for subsistence).
Colonial age starts when colonization started, marking the ends of Pre-Colonial age.
With colonization there are many significant changes. Colonizers went to Africa to
explore it, especially to explore mines to find diamonds and iron. th
An important example of colonization is that of Congo, that began in the late 19
century by King Leopold II of Belgium. He attempted to persuade the Belgian
government to support colonial expansion around the Congo Basin. Their
ambivalence resulted in Leopold's creating a colony himself. With support from a
number of Western countries, Leopold achieved international recognition for a
personal colony, the Congo Free State, then nominated the Belgian Congo. in 1885.
By the turn of the century, however, the violence used by Free State officials against
indigenous and a ruthless system of economic exploitation led to intense diplomatic
pressure on Belgium to take official control of the country, which it did by creating
the Belgian Congo in 1908.
However, at the end of 1800, King Leopold captured many indigenous, reducing
them to slavery, and killed most