Concetti Chiave
- The beginning of English Romanticism is marked by the publication of "Lyrical Ballads" in 1798, a collaborative work by Wordsworth and Coleridge.
- Romanticism emerged as a rebellion against the artificiality of Classicists and the rationalism of the 18th century, emphasizing a return to nature and imaginative sensibility.
- Despite their collaboration, Wordsworth and Coleridge's poetry illustrates divergent tendencies within Romanticism, maintaining some poetic standards of the previous era.
- Wordsworth, Coleridge, and Southey initially embraced revolutionary ideas but later adopted more conservative views as the French Revolution did not meet their expectations.
- The new Romantic generation, including Byron, Shelley, and Keats, expressed their ideals through a lens of melancholy and frustration due to the turbulent political environment of their time.
What is The Beginning of English Romanticism?
In England, Romanticism, announced and prepared by Thomson, Gray, Collins, Cowper, Blake and Burns, produced a marvellous harvest in the earlier part of the XIXth century. The Romantic period proper may be dated from the publication of Lyrical Ballads, a volume of verse written jointly by Wordsworth and Coleridge in 1798. With the names of these two poets is closely associated that of Southey, and all three are often designated as the Lake poets, an appellation only justified by the fact that Coleridge and Southey dwelt at some time of their lives in the Lake District, which was the home of Wordsworth for sixty years. There was much friendly intercourse between them, and they occasionally wrote in collaboration, but the idea of a literary “cenacle” should be set aside. Contemporaneous with the so-called Lake Poets are Walter Scott, a Scotchman, now beat remember as a novelist, and Thomas Moore, who may be remember as the national poet of Ireland.
The Rebellion of Romanticism
Romanticism was the outcome of a revolt against:
a) the artificiality and conventionalism of the “Classicists”;
b) the abstract and rationalistic tendencies of the XVIIIth century. It has therefore two aspects, being: a) a return to nature, as opposed to convention, both in subject and in style (and in this respect Romanticism has a decidedly realistic side); b) a revival of imaginative sensibility, both in the domain of the senses and in the domain of the spiritual
Differences Between Wordsworth and Coleridge
That these two tendencies, although they may be allied and even harmoniously blended, as the Lyrical Ballads testify, are nevertheless divergent, is illustrated by the immense differences between the poetry of Wordsworth and that of Coleridge. It should o0n the other hand be observed that, whatever may have been the zeal of the reformers, the poetic standards of the preceding age were not completely discarded. There is a marked contrast between the two generations of Romanticists.
Delusions and Reconciliations
Wordsworth, Coleridge and Southey reached manhood in the earlier years of the French Revolution. They were thoroughly imbued with revolutionary ideas, and conceived boundless hopes of regeneration of mankind. They were disappointed when they realized that the French Revolution deviated from its aims, and that the golden age promised by politicians was receding into an ever-remoter future. They accordingly reconciled themselves to more orderly notions. Il may be noted that all three died old. Coleridge, despite his deplorable addiction to opium, reached the age of sixty-two, Southey the age of sixty-nine and Wordsworth the age of eighty.
The New Romantic Generation
Byron, Shelley and Keats came of age at the very moment when Europe was smoking with ruins and the Holy Alliance was dictating its orders to exhausted peoples. They had inherited the noble aspirations of their elders, but felt frustrated in their very youth; hence a feeling of melancholy, a weariness which Byron – an English René – poured forth complacently into his verse. Byron sought for a remedy to his “ennui” in action: he travelled and fought, and he died on the soil of Greece, aged thirty-six. Shelley filled with revolutionary spirit to the core, tried to carry out his principles in life: from his misery he found a refuge in the worship of intellectual beauty and in the composition of poems expressing his belief in the ultimate triumph of justice and goodness, he died in his thirtieth year. Keats, the frailest of the three, drew aside from the turmoil of the world and died at twenty-six.
Prose and Novels of the Period
Closely connected with the career of these great poets is that of several prose-writers: Lamb, the intimate friend of Coleridge, De Quincey, who was the neighbour of Wordsworth for twenty-five years and wrote Reminiscences of the English Lake Poets. Apart from the romantic movement stood Jane Austen, who is, next to Walter Scott, the greatest novelist of her time.
Domande da interrogazione
- What marks the beginning of English Romanticism?
- How did Romanticism rebel against previous literary movements?
- What are the key differences between Wordsworth and Coleridge's poetry?
- How did Wordsworth, Coleridge, and Southey's views change over time?
- How did the new Romantic generation differ from their predecessors?
The beginning of English Romanticism is marked by the publication of "Lyrical Ballads" in 1798, a collaborative volume by Wordsworth and Coleridge, which signaled a shift from the preceding literary norms.
Romanticism rebelled against the artificiality and conventionalism of the Classicists and the abstract, rationalistic tendencies of the 18th century, promoting a return to nature and a revival of imaginative sensibility.
Despite their collaboration on "Lyrical Ballads," Wordsworth and Coleridge's poetry diverged significantly, illustrating the varied tendencies within Romanticism, though they did not completely discard the poetic standards of the previous age.
Initially inspired by revolutionary ideas during the French Revolution, Wordsworth, Coleridge, and Southey became disillusioned as the revolution deviated from its aims, leading them to adopt more orderly notions later in life.
The new Romantic generation, including Byron, Shelley, and Keats, inherited the aspirations of their elders but faced frustration and melancholy due to the political climate, leading to their distinct expressions of Romantic ideals in their works.