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James I and Charles I
At the death of Elizabeth in 1603, James Stuart, son of Queen Mary of Scots, became King,
advocating royal absolutism, and neglecting the rights of the Parliament. His conflicts with the
Parliament made him unpopular but he is also known for being a cultivated person and for the new
translation of the Bible, the so-called King James Bible.
When he died in 1625, his son Charles became King. He was a patron of arts and believed in the
absolute power of the monarch and couldn’t find an agreement with the House of Commons,
leading to the Civil War in 1642. It ended with the defeat of King.
Jacobean and Caroline Drama
th
In the first years of 17 century, theatre began to lose its unitary and new forms developed, together
with a diversified public. James and his court favoured an elitist genre, the masque, based on Italian
models. Its power was not in the words, but in the spectacular costumes, dancing, sets and special
effects provided by new machines. This new genre could only be performed at court or in palaces of
the aristocracy.
Ben Johnson
His influences were classical and he wrote comedies and tragedies that respected the unities of time
and place. Comedy of Humours is an expression used to define his form of comedy. According to
the theory of humours, the four cardinal ones were blood, phlegm, choler and melancholy which
had to be balanced. A humour, according to Johnson, was a bias of disposition and some quality
could possess man and make him act in particular ways. In his comedies, the characters were ruled
by a dominant passion and the comic effect was produced by the excesses of a single character and
the interaction with the passions of others. His texts also presented the contrast between good and
evil, vice and virtue, and the king was the point of reference, the incarnation of moral virtues.
Metaphysical school
The term metaphysical refers to something obscure, not supernatural.
Metaphysical poets never considered them as a group or a school, the definition was given by
critics. In this period, there was uncertainty and anxiety and these ideas were later reflected into
poetry, which became more obscure and complex. All the metaphysical poets were men of learning
which gave birth to an intellectual poetry characterized by the use of startling metaphors, imagery
and an obscure language, rich hyperboles, and paradoxes. Metric irregularities and complex
analogies also marked it.
The metaphysical poetry of the English Renaissance sought to describe a time of startling progress,
scientific discovery, unrivalled exploration, and deep religious uncertainty.
The rediscovery was due to the essay published by T.S. Eliot, in which he indicated some traits in
common to those poets.
The father of the metaphysical poets is John Donne. Feature of this poetry are:
• Frequent obscurity;
• Obscure interpretation; Donne goes against the fashion of the time, the sonnet.
• Intellect and reason are the true protagonists of this kind of poetry. Even when this poetry
combines passion and intellect, it’s the last one which always dominate.
• Since the versification is irregular, the rhythm is very complex and rhyme is often absent.
• This poetry is dramatic in its tone. The reader struggles to understand the meaning. Their
lines are full of details and this poetry has been defined as too analytic and fragmentary,
which is the result of its being obscure. It was also defined as imperfect but metaphysical
poets were aware of those imperfections and they were proud, in a certain way. They didn’t
respect conventions and wanted to create something striking.
He was born in 1572 into a Catholic family and had been educated at Hart Hall, Oxford, and
Cambridge. He travelled to Spain, and Italy. He frequented social circles and theatres in London.
After the death of his wife, the religious dimension became central to his life and writings. He was
Dean of St Paul’s Cathedral, publishing sermons, religious writings, and hymns. The main theme is
love, which sometimes assume an erotic tone and give bring Donne’s poetry to its highest. In Songs
and Sonnets none of the poems uses the sonnet form, but different lyrics, whose form is functional
to the message he has to communicate. The beloved and the lover aren’t at the centre of the poem,
rather there is the relationship that the lover wishes to establish. The woman is not a distant image,
but a real woman who is being asked to accept the love’s proposal. The poet addresses the beloved
by means of a discourse which is always based on a psychologically concrete datum, often hidden
under a rhetorical web of artifice.
Cavalier Poets (Carew, Suckling, Lovelace)
They are a group of lyric poets whose poems about love and loyalty to King Charles I were
characterised by a lightness of tone, a graceful wit, and a controlled form. The Cavalier Poets often
imagined pastoral worlds in which escape and find a response to the major social conflict of the
time. Also, they sang of love as free and happy sensual satisfaction. But in the reality love was
subject to social constraints and they didn’t live in Arcadia, but in a court soon destined to be
overthrown by the Civil War.
Bacon
He was a politician and an author of philosophical and scientific texts. He wrote The New Atlantis,
the story of the discovery of a remote island, called Bensalem, which is the home of a kind of ideal
state, where great importance is given to a college of sciences. Bacon’s hope was that James I
would create the same institution in England. His proposal was taken up in 1650s and was
instrumental in the foundation of the Royal Society, whose aims and programmes were very similar
to those of Bacon.
Also, he wrote Advancement of Learning, in which he criticised methods of education based on the
Aristotelian structures of knowledge and he said that study should be based not on theory but on
experiment and observation. His style was polished and simple, using clarity of expression with
some rhetorical devices.
Political background
The wise, moderate policies of Queen Elizabeth had appealed to all sections of society and
Puritanism could not make much headway. But conditions changed with the coming of James I to
the throne. Several causes led to widespread discontent and the emergence of the Puritans as a
strong national force. James I aimed at despotic powers and his immorality and dissipation fed the
flames of discontent. He left behind him serious problems for his son Charles I (1625 to 1649)
whose absolutism roused the apprehensions of the people. In 1640 he summoned Parliament to
finance his war against Scotland, but after two years during which the conflict between King and
Parliament intensified, he fled to the North, leaving London to be the centre of the Protestant’s
power.
The first phase of the Civil War broke out in 1642 and lasted until 1646 with the defeat of the
Royalist. During the second phase of the war, the King and his troops were defeated by Oliver
Cromwell, general and leader of the Parliamentary forces. Eventually, Charles I was sentenced to
death and executed on 30 January 1649. After that, Britain was a Republic governed by Cromwell
as Chairman of the Council of State. After dissolving Parliament in 1653, he became Lord
Protector.
When he died, in 1658, his son Richard was declared Lord Protector, but he was immediately
dismissed by Parliament. In 1660, Charles, son of the later King, became Charles II. He was then
succeeded by his brother, James II, catholic and hostile to Parliament, which deposed him in 1688.
As his successor, there is his daughter Mary and her husband, William of Orange. During this
period, the Bill of Rights, in 1689, created the first constitutional monarchy, according to which the
king couldn’t be an absolute ruler and Parliament became the centre of national political life.
Government was the result of a social contract between the King and his people represented in
Parliament, mostly bourgeoisie. This section of society, whose economic importance was already
recognised, obtained a dominant role in political affairs and started to have a decisive role in social
and cultural life.
Puritanism and literature
For the Puritans, men should be free to worship according to their conscience and should enjoy full
civil rights. Moreover, the Puritans insisted on the purity of life, on the honesty and freedom of
men. Specifically, on matter of religion, the Puritans were stark, and didn’t accept the Anglican
church and its laws. They advocated church reforms and they were against external manifestation of
faith. Many Puritans were among the middle class and members of the Parliament. There’s a new
vision of the relationship between men and God where men are more powerful.
The Puritan Age comprises the first half of the XVII century (1603 to 1660). It follows the
Elizabethan Age and precedes the Neo-Classical Age. The dominant literary figure during this
period was John Milton, and the period is named after him. The literature of the age of Milton
presents a marked difference from the age of Elizabeth, which had unity in spirit and was full of
hope and vitality. On the contrary the Puritan Age speaks of sadness and pessimism, due to the
atmosphere of conflict, stress and strain which enveloped the Nation. Puritan Age poetry became
moral and religious. The fashion is toward short and small poems. There’s a marked decay in the
exalted poetical fervour of the previous age. In the new poetry, there is more of intellectual play
than of passion and profundity. The poetry of the period is largely lyrical and Donne and Ben
Jonson are the two most outstanding and original lyricists of the age. Milton who links up the
Puritan Age with the Restoration is a class by himself.
John Milton (1608-1647) The great master of artificial style.
He attended St Paul’s School and then went to Cambridge, where he took his BA in 1629. While at
university he wrote several poems and oratorical exercises in Latin, Italian and English. After taking
his MA in 1632, he continued his studies at home.
The parallel study of the classics and the sacred texts gave him the basis for the formation of the
intellectual, who had to be an active presence in the community, in order to guide it.
He was the greatest of all Puritan writers, the interpreter of his times and the voice able to illustrate
the divine message forged by the Protestant doctrine. Milton’s life embodied many of the strongest
currents of his age. His classical erudition and his humanist ideals had their roots in the
Renaissance; his protestant belief in freedom in religious matter had to do with Puritanism. His
republican and anti-clerical ideals, led him to support the revolutionary party in the Civil War. He
became Latin Secretary of Cromwell’s State. This new role required a lot of written work, so his
eyesight became worse, and eventually became blind. Moreover, after Cromwell’s death, Milton’s
life was in danger, for political reasons, he was even