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EARLY MODERN ENGLISH Theatre & Poetry

The sonnet was born to be read, memorized and recited in a way that could remains. The theatrical text, the play, is not born for reading but it is born to be put on a stage.

The theatre is very different from what it is today, now you have to spend a lot of money, be dressed up, pay the ticket, go there and everything got dark looking things in light in the stage.

The Globe theatre in London, today, is in the open area so light is everywhere and you can see you neighbor as well as you can see the people on the stage.

There aren't texts that describes how Shakespeare used to stage his works but some elements have helped us.

So, what kind of theatre Shakespeare was writing for? We are in the second half of the 16th century in London, although, early modern theatre, was very strongly influenced by the English Medieval theatre. We can imagine that Shakespeare or Marlowe would see theater performances which were very different from what they wrote.

for, much more similar to what is medieval theatre.

Martyrdom of St. Apollonia – Jean Fouquet (1452-1460), Musée Condé Chantilly:

This is an image from the medieval manuscript.

It shows Apollonia (white) who is bound up at the centre of the image and somebody is pulling her teeth out.

There are other people: a king with the crown who is pointing her, people in the background sitting and looking, a man with the stick and a book who probably looks like an orchestra conductor, a man who is showing his bottom and is dressing in a different way, the people in front who have posters, it seems as if they are showing the martyrdom of St. Apollonia as a theatrical performance.

Maybe this image is an instance of medieval staging (how they stage, in medieval period, the martyrdom of a saint) so, there are the actors, on the stage the director with the book, the fool who is making fun, the spectators sitting all around the stage and all things are explained by the posters.

It shows people

Dressed up, so one of them is playing an instrumental like a Viola and then the other ones are dressed in animals' heads and dancing together. This is an image of Carnival: during carnival you have one face given by god and you make yourself another, like in Hamlet.

Carnival was considered a sin carnival, in fact it was normally repressed by the church, but it is also part of this human desire to make up to - change your expression - to pretend you are somebody else which is also at the base of the Theatre.

As for the staging we know that mediaeval English Theatre had a number of tests and staging of episodes from the Bible (the nativity, the passion). During Easter week you can have the passion being in active in church (passion death and resurrection). This design seems to show possibilities of staging.

This seems to show that the castle of perseverance which is a play written in the 15th century, had been staged with the castle the center and everybody sitting around it as we saw in the

Image of Santa Apollonia.

Dance of the Warehouses: This is another imagine in which rich people are sitting and looking on to some strangely dressed (as animals - wild men) people dancing with clubs and the dog, and behind them there are some people playing instruments.

This might be also another kind of entertaining: on the one hand there are religious performances in which people play the "Rose of Jesus" etc. and in the other hand there are this kind of wild entertainment in which people do stupid things.

Theater's Spaces

Medieval Theatre was played in front of the church or in private houses with spectators, who normally were noble sitting on chairs and performance started with dancing. While in the Early Modern Theatre, for the first time in England, they used a special space considering that theater was become a profession.

Theatre derives from Greek which means "to look", so the most important thing in the theatre is that people must be able to see so you

needing so a space in which you can see the act. The idea of using spaces to show things comes from a long way back; for example, the narrative painted in The Scrovegni Chapel, Giotto (1303-5): Characterized by a small room, you can look around and see the play of the whole Story of Christ's life as you were in the Theatre. At the bottom of the Chapel there are allegorical images representing vices and virtues. For example, in one painting you can find a woman who is hanging herself, and Giotto offers you an allegorical image of a woman doing the ultimate act of hating everybody and everything and her little soul is escaping from her mouth and being taken by the devil. Another example: Why Giotto is using female figures for all his allegoric images? Because the words of vices and virtues are feminine in Latin. EARLY MODERN ENGLISH THEATER English Renaissance theatre or (commonly) known as Elizabethan theatre, refers to the theatre of England between 1562 and 1642. One of the largest cities inEurope in the 16th century was London where Theatrical life was largely centred just outside of London, as the theatre was banned inside the city itself, but plays were performed by touring companies all over England. In fact, the theater's spaces were mostly in front of churches or in private homes; at the medieval time there weren't any special spaces to act. (Religious people didn't approve of using the church as a space of entertainment because acting wasn't seen as a profession and was viewed negatively). The first to involve the profession of actor and playwright was William Shakespeare. He used to entertain people and make money from it, but due to the lack of spaces initially, plays weren't expensive as they needed people to come. WORDS: Theater: performance, actors, costumes, text.. Drama: literature, play text.. Comic relief: humorous moment in a dramatic or literary work intended to offset more serious episodes Soliloquy: discourse, or utterance of a character speaking to themselves, expressing their thoughts and feelings aloud.character in a drama that has the form of a monologue or gives the illusion of being a series of unspoken reflections. The period starts before the establishment of the first permanent theatres. Initially two types of location were used for performing plays, the courtyards of inns and the Inns of Court such as the Inner Temple. Another was the Bear Baiting in which violence was source of entertainment. These venues continued to be used even after permanent theatres were established. The establishment of large and profitable public theatres was an essential enabling factor in the success of English Renaissance drama. Once they were in operation, drama could become a fixed and permanent rather than a transitory phenomenon. A different model was developed with the Blackfriars Theatre, which came into regular use on a long-term basis in 1599. The Blackfriars was small in comparison to the earlier theatres and roofed rather than open to the sky; it resembled a modern theatre in ways that its

The GLOBE THEATER: no single building in the history of theater has quite the significance as the famous Globe Theater in London, England. In 1599, William Shakespeare’s group of actors and stagehands called Lord Chamberlain’s Men built The Globe Theater in London. The Globe Theater was located near Park Street and Southwark Bridge Road, not far from London Bridge.

The Globe Theater stood three stories tall and was an open-air theater, meaning that the stage was located in the middle of the theater with no roof over it. The theater was built with wood taken from an older theater simply known as The Theatre, which was constructed in 1576. It has a central stage where actors act, but no curtains. Everything behind the curtains, like make up and dress up ( dietro le quinte) was done in a door behind the stage.

During the height of Shakespeare’s career, it was only the wealthy elite who could afford seated tickets, while the less fortunate would have to stand.

In areas closer to the stage, people could watch the plays. Ticket prices varied during this time period. The cost of admission was based on where in the theatre a person wished to be situated or based on what a person could afford. If people wanted a better view of the stage or to be more separate from the crowd, they would pay more for their entrance.

In June of 1613, The Globe caught fire during a performance of Shakespeare's Henry the Eighth. The cause of the fire was a prop cannon which had been brought in for a scene in the play. When the cannon was fired, it accidentally hit the wooden beams and straw thatching of the Globe, causing it to catch fire. While no one was hurt in the fire, The Globe was greatly damaged and needed to be rebuilt, with the process taking over a year to complete.

William Shakespeare did not design Globe Theater, nor did he build it, but he was a shareholder in it and had been living in London during its construction. He did contribute to some of the details.

Within the theater. Once completed, many of his plays were performed there. It has also been said that Shakespeare wrote some of his plays while spending time at the Globe.

6. William Shakespeare (1564-1616):

Works:

His plays reveal an extensive knowledge of classical texts and rhetorical training, notably in the early Love's Labour's Lost (1594), which parodies the pedantry and self-regard of the young courtiers, and The Merry Wives of Windsor (1602), which contains an accurate recollection of a classroom scene.

By 1592 S. was involved in acting and producing plays and was one of many aspiring young-actor-writers who was the expansion of early modern theater in England. He appeared to work alone instead to collaborate.

In 1594, when theatres reopened after an outbreak of plague, he purchased a share in the newly formed Chamberlain's Men, who eventually accepted him as writer-in-residence at their theater in Storeditch. It was Shakespeare's investments in the company rather.

than his prolific literary output which made him rich.By the time he had probably written three comedies: The Comedy of Errors, The two Gentlemen of Verona and The Taming of the Shrew. Two bloody tragedies: Titus Andronicus and Richard III. Much of the chronicle of Henry VI and two narrative poems: Venus and Adonis and The Rape of Lucrece.

Between 1594 and 1599 he was immensely productive, probably writing the history plays, King John, Richard II. Comedies: A Midsummer Night’s Dream, The Merchant of Venice, The Marry Wives of Windsor, Much Ado about Nothing and As You Like It. And his major tragedy Julius Cesar. S. was conspicuous among his fellow dramatist for not having been to university, and this may it have been his need to acquire some form of social status that made him apply for a coat of arms on his father’s behalf in 1596.

In 1597 the lease on the theatre in Storeditch expired. The Lord Chamberlain’s Men dismantled the building itself and moved to the south bank.

cross the Thames to construct the Globe Theater, but this one burnt down in 1613 after an unfortunate incident with
Dettagli
Publisher
A.A. 2021-2022
50 pagine
SSD Scienze antichità, filologico-letterarie e storico-artistiche L-LIN/10 Letteratura inglese

I contenuti di questa pagina costituiscono rielaborazioni personali del Publisher Gorma.unipd di informazioni apprese con la frequenza delle lezioni di Letteratura inglese e studio autonomo di eventuali libri di riferimento in preparazione dell'esame finale o della tesi. Non devono intendersi come materiale ufficiale dell'università Università degli Studi di Padova o del prof Petrina Alessandra.