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COSMOPOLITANISM
One way of reading Bird Summons is as a cosmopolitan project. Cosmopolitan is an ideology and/or movement for universal community. The word derives from the Greek κοσμοπολίτης, or kosmopolitēs, formed from "κόσμος", kosmos, i.e., "world", "universe", or "cosmos", and πολίτης, "politēs", i.e., "citizen" or "[one] of a city". Contemporary usage defines the term as "citizen of the world". (Wikipedia). Cosmopolitanism as an approach or a philosophy, can be both cultural and political. Cosmopolitanism is trans-national and supranational. Those who seek a universalist, trans-ethnic community within the boundaries of a particular state. Ancient Cosmopolitanism During periods of imperial expansion, universalism becomes more attractive: the desire to have rational, universalistic.single law.This was accompanied by universal commonwealth (Cicero).
Ancient cosmopolitanism put emphasis on human reason - what unites us together across differences of particular culture.
Religious Cosmopolitanism
Is the idea of God's kingdom on earth.
Enlightenment Cosmopolitanism
This characterized the mid-18th century (Paine, Voltaire, Kant). Paine said: 'my country is the world' and 'my religion is to do good'.
Ideas of the Revolution were backed by many liberal cosmopolitans like Paine, Cloots. Declaration of the Rights of Man is universal.
Kwame Anthony Appiah, Cosmopolitanism: ethics in a world of strangers (2006)
This title focuses on what is cosmopolitanism. For Appiah is ethic (the philosophy of what is good).
Our world is becoming smaller due to: mass migration, international trade (what we call globalization), tourism, mass media, internet. How are we to deal with these new circumstances that bring us closer and closer? Appiah is optimistic and says that
This is a unique opportunity of improving ourselves! Appiah's definition of cosmopolitanism combines few principals:
- The idea that we have obligations even to people beyond family and nation
- An interest in the lives and practices of others and other places
Cosmopolitanism begins with a 'conversation' across boundaries, like in Bird Summons. Conversation is a key term.
In certain sense he advocates what he defines as "partial cosmopolitanism". Appiah is critical of those he thinks are 'extreme' cosmopolitans (they think that one day we will be all the same), he is sympathetic to the view that local identities are important!
What Appiah suggests is that we should embrace both local and universal loyalties and they do not necessarily have to come into conflict with each other. "I am urging that we should learn about people in other places, take an interest in their civilizations, their arguments, their errors, their achievements, not because that
“Conversation, is not simply chatting with each other, is engaging a conversation who has radically different thoughts about something, but you sit down with the firm intention to listen to him/her/they and with the possibility in mind, that you might stand up and go away, but with the possibility that this conversation had changed (at least a little bit) your original thought.”
Leila Aboulela: author’s statement
“When I write I experience relief and satisfaction that what occupies my mind, what fascinates and disturbs me, is made legitimate by the shape and tension of a story. I want to show the psychology, the state of mind and the emotions of a person who has faith. I am interested in going deep, not just looking at 'Muslim' as a cultural or political identity but something close to the centre, something that transcends but doesn’t deny gender, nationality, class and race.”
write fiction that reflects Islamic logic; fictional worlds where cause and effect are governed by Muslim rationale. However, my characters do not necessarily behave as 'good' Muslims; they are not ideals or role models. They are, as I see them to be, flawed characters trying to practise their faith or make sense of God's will, in difficult circumstances."
BIRD SUMMONS
It is actually set in Scotland even though it tells the story of 3 Diasporic Muslim friends. Leila's book is slightly autobiographical: she doesn't tell her story but certainly her characters tell something about her own experience of displacement, of living in a country where the majority of people are white (episodes of racism) and of course suffering from anti-Muslimism prejudices. In this book the characters are going to do a very complex pilgrimage to find the meaning of their lives. The title is a little bit strange, summons = convocation.
Preface
"Assembly of birds, the Hoopoe spoke,
I am the Messenger Bird… A bird who carries Bismillah in its beak is never far from the wellspring of mysteries.” Farid’ ud-Din Attar, The Conference of the Birds
This is a famous poem about the Hoopoe, she is not quoting from Islamic texts.“It is travel which lifts up the curtain hiding people's characters.” Al-Ghazali, On Conduct in Travel
We have two things:- A bird which is a messenger, possibly it will deliver some truth or reveal some mystery- The importance of travel. It is by moving that you can lift the curtain that doesn’t allow you to understand who you are
The book is about mystical bird who could indeed appears and summons the three ladies and it is also about journey.
Chapter 1
Page 1-2: “She had hired a coach, then when the women started pulling out after the anger over the photo, a minibus, then when the numbers fell still further, a people carrier, then when there was just the three of them, Salma decided to take her own car.
She had fought a battle and lost. The next time the Arabic Speaking Muslim Women's Group held their annual election, she would be voted out and someone else would be in charge. She had misjudged the situation. 'How was I meant to know that the grave had been defaced!' This was a lame defence. If her rivals in the group could find a news article and post it to the group chat, Salma hadn't done her research properly. But even if she had known, it wouldn't have deterred her. It certainly wasn't deterring her now. She still wanted to go and offer her respects."
This is our first encounter with Salma, indeed the leading character. The story is about 3 friends, but Salma is the leader, certainly the one that designed this trip. We learn that originally, she wanted to organize a trip for the "Arabic Speaking Muslim Women's Group". The first question is "Who is the narrator? What kind of narrator do we have? And what do we gather about Salma?".
About the group: is the kind of club/group that is formed in a city where Muslim is a minority. These women share the language (Arabic) and the religion (Muslim), but they all come from different countries with very different backgrounds. The diaspora that we have here is defined more in terms of language and religion, rather than in terms of place. Salma is breaking the rules of this group and making them unhappy, and proposing things that are not regarded as fully orthodox or fully acceptable as this trip she has organized. Narrator: this is a third person narrator. It is not omniscient but is clearly close to this world and observes it as an insider.About the group: is the kind of club/group that is formed in a city where Muslim is a minority. These women share the language (Arabic) and the religion (Muslim), but they all come from different countries with very different backgrounds. The diaspora that we have here is defined more in terms of language and religion, rather than in terms of place. Salma is breaking the rules of this group and making them unhappy, and proposing things that are not regarded as fully orthodox or fully acceptable as this trip she has organized.
Narrator: this is a third person narrator. It is not omniscient but is clearly close to this world and observes it as an insider.
rather than adopted home. Salma's determination stemmed from her recent restlessness. Ever since her last birthday, time seemed to be snagging. She would put her foot forward and find herself still in the same place, as if she were about to stumble. More than once, she found herself wondering, can I last till the end without giving up or making a fool of myself? In her argument to the Arabic Speaking Muslim Women's Group, she said, "We might never understand what it's like to be the eldest daughter of the seventh Earl of Dunmore or to have a town house in Mayfair and a 15,000-acre estate in the Highlands, but Lady Evelyn was a woman like us, a wife and a grandmother. She worshipped as we worshipped, though she kept her own culture, wore Edwardian fashion, shot deer and left instructions for bagpipes to be played at her funeral. She is the mother of Scottish Islam and we need her as our role model." This is followed by an explosion of anger because her friendand colleague disagree with her and cannot really accept that someone who lives in Scotland should own (?) this lady. Salma thought that is important for a Muslim woman who lives in Scotland to honour Lady Evelyn, because she is in a very similar position as them (partly displaced). Salma is a leader also because she can see things beyond the more limited perspective of her fellow women that are in the group. Leila Aboulela provides us with a representation of this environment, of this of Muslim diasporic group who are quite conservatives about their ideas of what Muslim should be.
The comment that their friends are meaningful: "Is this what you want our children to see? That you can be from the Scottish aristocracy, buried in the middle of nowhere and still the haters will get you." This because the tomb was deturpated by Muslim haters! "Why didn't she wear hijab? Why wasn't she in touch with other Muslims? Sounds like an eccentric imperialist no.
“At the end just 3 of the group decided to leave: Salma, Moni and Iman. The 3 characters are presented in this character, they don’t share similarity (of all sort) and also, which seems obvious, they seem to have fixed roles as if their identities were frozen:
- Moni has a son (handicap) and she is obsessed about him so that she can focus on other things
- Iman is beautiful
- Salma is the leader
They seem not that interesting at the beginning. We don’t see actual friendship.
Page 4: “Salma, Moni and Iman - travelling companions. Escaping the stuck-together buildings of the city, the regenerated Waterfront, the Jute Museum, the busy Tay Road Bridge and the pretty park overlooking the estuary; distancing themselves from the coffee-scented malls, the kebab restaurants and the trapezoid mosque; getting away from the scheduled rubbish collections and the weekly meeting of the Arabic Speaking Muslim Women's Group. The three of them moving together and
reaching into her soul, searching for answers. The city whispered its secrets to her, its stories of love and loss, of dreams and despair. She felt the weight of its history, the echoes of the past reverberating through her being. The streets were like veins, pulsating with life, connecting the present to the past. Page 8: “As she walked through the city, she could feel the energy, the vibrant hum of life. It was a place of contradictions, where beauty and decay coexisted. The buildings stood tall, their facades weathered by time, bearing witness to the passage of generations. The people moved with purpose, their footsteps echoing on the pavement, each one carrying their own story. Page 9: “The city was a melting pot of cultures, a tapestry woven with threads of diversity. It embraced the old and the new, tradition and innovation. It was a place where dreams were born and shattered, where hopes were kindled and extinguished. It was a place of endless possibilities, where one could lose themselves and find themselves all at once. Page 10: “But amidst the chaos and the noise, there was a sense of serenity. The city had a way of grounding its inhabitants, of reminding them of their place in the grand scheme of things. It was a sanctuary for the lost and the weary, a refuge for those seeking solace. Page 11: “And as she stood on the rooftop, overlooking the cityscape, she couldn't help but feel a sense of awe. The city stretched out before her, a vast expanse of dreams and desires. It was a place where anything was possible, where the boundaries of reality blurred and imagination took flight. Page 12: “In this city, she found herself. In its streets and alleyways, she discovered her own strength and resilience. It was a city of transformation, where one could shed their old skin and emerge anew. Page 13: “And so, she embraced the city, with all its flaws and imperfections. It became her home, her sanctuary, her muse. For in this city, she found not only herself, but a sense of belonging, a place where she could truly be free.”