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During the Restoration and 18 century, poets aimed to set a balance between the excesses of
th
early 17 poetry and the spontaneity favored by Romantic poets like Wordsworth:
- They viewed the intensity of the images of Metaphysical poetry as politically and
epistemologically unstable, preferring a more measured approach.
Þ This balance was achieved in Alexander Pope's works
• th
Stylistically, Restoration and 18 poetry was dominated by the heroic couplet:
- This form is characterized by pairs or 'couplets' of iambic pentameter lines.
- Each line is composed of ten syllables arranged into five groups or 'feet' of unstressed and
stressed syllables
- Both lines in the pair end with the same sound.
Þ Moreover, the prevalence of this pattern also created an expectation in readers against
which the poet could play unexpected rhythms and rhymes
• Additionally, the topicality of Restoration poetry served to counterbalance the influence of
powerful figures.
• Over the course of the century, poetry also became more balanced demographically, with
working-class poets gaining recognition alongside their aristocratic counterparts.
• Themes and settings shifted from urban to rural, reflecting broader societal changes during
this period.
• Poetry in this period was dominated by two poets:
- John Dryden
- Alexander Pope
Þ Both were influenced by John Milton
John Milton excursus
• John Milton's association with Restoration literature is complex due to his active involvement
in the political and social disorders of the preceding era, especially:
- the English Civil Wars
- the Interregnum.
• While Milton's major works, such as "Paradise Lost," were published after 1660, placing him
outside the Restoration period in a chronological sense, his influence on Restoration literature
cannot be ignored:
- Despite being considered a writer from a previous generation, Milton's alignment with
republican, Puritan, and Parliamentary ideals during the Civil Wars distinguishes him from
the Restoration poets who emerged under Stuart monarchy.
• Milton's opposition to the Restoration of the Stuart monarchy is evident in his writings,
including essays critical of the regime:
- However, his significant literary contributions during the Restoration era, particularly
"Paradise Lost," suggest an engagement with the period he opposed politically.
Þ So, while Milton may not be traditionally labeled as a Restoration poet, his works
remain essential to the literary landscape of the time, reflecting his influence on
Restoration literature.
John Dryden
• During the late 17th century, John Dryden took inspiration from Milton's Paradise Lost despite
their different political visions:
- Indeed, Dry den aligned himself with monarchs while Milton successively rejected them.
• However, Dryden's career as a writer was varied and this allowed him to write on topical
subjects such as:
- Cromwell's death
- Charles II's ascension.
• One of Dryden's notable works is “Annus Mirabilis”:
- It focuses on the events of 1666, including the Great Fire of London and the defeat of the
Dutch navy.
• He also made a name for himself in the Restoration theatre, producing plays like:
- “The Conquest of Granada”
- “Marriage à la Mode”.
• However, it was during the Exclusion Crisis of the late 1670s and early 1680s that Dryden
achieved some of his most important poetic works, including:
- Absalom and Achitophel
- MacFlecknoe
- The Medall
- Religio Laici.
Þ These works contain implicit references to topical events and require familiarity with the
political context of the time.
• Dryden's poetry challenges the notion that literature and politics are separate, as political
issues can represent literary ones and vice versa:
- For example, “Absalom and Achitophel” portrays:
§ Charles as the biblical David
§ Shaftesbury as Achitophel
§ The Duke of Monmouth as Absalom
Þ Reflecting the political climate of the Exclusion Crisis.
• “MacFlecknoe”, on the other hand, addresses concerns of literary succession by criticizing
Thomas Shadwell.
• This merging of literary and political themes characterizes the poetry of the Restoration era:
- The period has been productive for historicist approaches to literature, highlighting the
connection between the literary and the political.
Alexander Pope
• th
Alexander Pope's literary contributions during the Restoration and 18 century period marked
a shift in focus from topical poetry towards broader themes associated with the Enlightenment
especially through in his essays, especially:
- "An Essay on Criticism" (1711)
- "An Essay on Man" (1733-4)
• In "An Essay on Criticism," Pope delineates the principles of good literary criticism,
advocating for a harmonious relationship between writers and critics grounded in nature:
- His concept of nature combines late Renaissance classicism with Newtonian physics,
emphasizing rules and standardization.
Þ Also, Pope's exhortation to emulate Homer emphasizes his belief in adhering to established
literary norms, anticipating later Romantic interpretations of nature.
• The analogy of the "well-proportion'd Dome" illustrates Pope's vision of criticism that is
consistent with his sense of the relationship between:
- Nature
- Rules
- Standardization
Þ Such unity explains why the period was for long known as Augustan, although it is important
to note that for Pope, symmetry is best seen at distance
• In "An Essay on Man," Pope adopts a symmetrical poetic form to explore philosophical
investigations evocating Milton's approach in "Paradise Lost."_
- While both works begin with the motif of a garden tempting with forbidden fruit, Pope
differs by employing the epistolary form instead of an epic, and the heroic couplet instead
of blank verse.
Þ Pope's choice of the epistle and the heroic couplet allows him to navigate between apparently
opposing doctrines, embodying a balance with implications across various domains:
§ This balance is not merely stylistic but carries epistemological, ontological, poetical,
and political significance.
In contrast to "An Essay on Criticism," which aligns literary criticism with
o Newtonian principles, "An Essay on Man" interprets Newtonian philosophy
through its carefully structured poetic form.
• The symmetry of "An Essay on Man" reflects Pope's understanding of Newton's vision of the
universe, where equal and opposite reactions tolerate a harmonious whole.
• th
So, during the middle years of the 18 century, emerged a notable shift in poetry, potentially
in response to the static and balanced universe proposed by Alexander Pope:
- This shift was marked by a renewed emphasis on the pastoral, with poets turning away
from urban and conceptual themes towards the rural and earthy.
• This period of poetry has been challenging to categorize, sometimes considered as the poetry
of sensibility or even referred to as 'pre-Romanticism.' :
- However, the term sensibility carries specific connotations closer to our modern
understanding of sensitivity, and it's uncertain whether the poetry of this period truly
embodied this sensibility.
Þ One poem often regarded as representative of this shift is Thomas Gray's "Elegy Written in a
Country Church Yard" (1749-1751):
§ In this elegy, the narrator finds himself alone in a church graveyard at evening,
reflecting on the simple lives of the poor buried there.
§ This contemplation hints at a sense of loss and nostalgia for a simpler, rural existence,
free from the tumultuous events of England's history, such as the Civil Wars and
Interregnum.
Drama
• The Stuart Restoration era marked a significant revival for drama, particularly in England,
where the theatre had been banned by Parliament since 1642:
- With the return of Charles II from France drama was restored on the English stage.
- Charles II permitted the operation of two theatres in London:
§ the King's
§ the Duke's.
- Additionally, a notable innovation occurred as women were allowed to act for the first
time, contributing to the diversification of talent in the theatrical landscape:
§ Notable actresses like Nell Gwynn rose to fame during this period, enriching the
English stage with their performances.
• However, the initial years following the restoration of drama were characterized by a sense
of experimentation and adaptation:
- John Dryden's "An Essay of Dramatic Poesy" in 1668 marked a fundamental moment in
this transition.
- In this work, Dryden wrote a debate on contemporary drama, comparing English and
French theatrical traditions.
- Through this discourse, Dryden not only documented but also shaped the terms of critical
analysis for English drama, offering to the English drama a vision for its evolution and
confidence.
• Three years later, George Villiers, the Duke of Buckingham, showcased a satirical perspective
on the uncertainties of the early Restoration drama in his play "The Rehearsal" (1671):
- Mostly important, the play also introduces a tension that would continue to shape the
London stage until the close of the century concerning:
§ The relationship between the city and the countryside and the disparities between
them.
Þ Indeed, the theater often raises questions about the authenticity of identity, whether it is innate
or enacted:
§ Throughout the Restoration period, London theater explored various identity
issues, such as:
whether the city's rise as a center of international trade would erode its
o inhabitants' morals, transforming them into mere consumers.
It also delved into the idea that even sexual identities could be changed
o through performance.
• However, between 1700 and 1737, the British theater experienced a relative decline,
attributed to various factors such as:
- The rise of Italian opera
- Changes in theater architecture
- Decreased urban-rural tension
- The emergence of the novel.
Þ th
Despite this, the 18 century witnessed the creation of several lasting plays that would leave
an important impact on British culture:
§ John Gay's "The Beggar's Opera" (1728) innovatively combined drama and music,
foreshadowing the modern musical theater genre. Its satirical portrayal of wealthy
criminals gained added political significance during Walpole's premiership.
§ In 1730, Henry Fielding presented "The Life and Death of Tom Thumb the Great,"
exploring the bound