Concetti Chiave
- The renaissance sonnet, inspired by Italian poets like Dante and Petrarch, centered on themes of love and beauty intertwined with desire.
- Petrarchan sonnets featured fourteen hendecasyllabic lines, structured into two quatrains and two tercets, later adapted by English poets into the Elizabethan form.
- Prominent figures in this genre include Edmund Spenser, Philip Sydney, and William Shakespeare, who contributed significantly to the evolution of the sonnet.
- Philip Sydney's "Astrophel and Stella" explores unrequited love, depicting Stella as an unattainable ideal that spawns a myriad of unreal, phantasmal versions.
- The work delves into obsessive love, influenced by Platonic ideas, examining the tension between appearance and reality.
Renaissance Poetry
The most typical expression of renaissance poetry was tbe sonnet tbat derived by ltalian poets Dante and Petrarch. The centtal tbeme oftbe sonnet was tbe love accompanied by the beauty. The nature oftbe poet's desire contains a paradox; tbe poet desires tbe lady, but at same time he hopes she will no surrender. Regarding form the originaI Petrarchan
Sonnet was a poem offourteen lines ofhendecasyllables divided into two parts, two quattains and two tercets.Tbis form was moditied by English poets into Elizabethan sonnet that was formed by three quattains and one couple!, hat represented a conclusion. The most important poets ofthis genre were Edmund Spenser, Philip Sydney and
William Shakespeare.
Philip Sydney
Sydney was born into wealthy family in Kent and tben educated in Shrewsbury and Christ college, Oxford .His output included tbe defence ofpoetry, Arcadia,(successively divided into Old Arcadia and New Arcadia)and the sonnet sequence Astrophel and Stella.
Astrophel and Stella
Astrophel and Stella, a sequence of sonnets and songs, charts tbe unrequited love Astrophel for Stella. But like Petrarch with Laura, she is must and must remain unattainable. It is because she is unreachable and he cannot have her that Stella becomes a virtual reality for tbe poet, fTagmenting into a multiplicity of phantasmic Stellas,none ofwhich real .Tbe principal tbeme oftbis work is obsessive love, speciaIly virtual and the influence ofPlato in tbe dialogoe between appearance and trutb.