The black cat - analisi + commento

The black cat by Edgar Allan Poe

1837 = quando Poe inizia a scrivere non ha una tradizione autoctona sulle sue spalle

quindi si ispira alla letteratura europea (inglese/francese) di ciò la paura anche il gotico

1829 = condizione

• focalizzazione interna
• narratore: interno alla vicenda - intradiegetico - 1a persona

tipico degli scrittori come Poe, infatti tutti i narratori dei suoi racconti più ci dicono una cosa, più loro si distaccano dalla realtà

• STRATEGIA NARRATIVA: pone il lettore fissa sul racconto ma allo stesso tempo dà gli strumenti al lettore per decostruire il racconto

tema :

• domesticità
• modello metaforico pa.-paolini della schiavitù

VS

• pazzia / irrazionale

• orrore / grottesco / sensazionalismo

When reason returned with the morning—when I had slept off the fumes of the night's debauch—I experienced a sentiment half of horror, half of remorse, for the crime of which I had been guilty, but it was at best a feeble and equivocal feeling, and the soul remained untouched. I again plunged into excess, and soon drowned in wine all memory of the deed.

In the meantime the cat slowly recovered. The socket of the lost eye presented, it is true, a frightful appearance, but he no longer appeared to suffer any pain. He went about the house as usual, but, as might be expected, fled in extreme terror at my approach. I had so much of my old heart left as to be at first grieved by this evident dislike on the part of a creature which had once so loved me. But this feeling soon gave place to irritation.

And then came, as if to my final and irrevocable overthrow, the spirit of Perverseness. Of this spirit philosophy takes no account. Yet I am not more sure that my soul lives than I am that perverseness is one of the primitive impulses of the human heart—one of the indivisible primary faculties or sentiments which gave direction to the character of Man. Who has not, a hundred times, found himself committing a vile or a silly action for no other reason than because he knows he should not? Have we not a perpetual inclination, in the teeth of our best judgment, to violate that which is Law, merely because we understand it to be such? This spirit of perverseness, I say, came to my final overthrow.

This circumstance, however, only endeared it to my wife, who, as I have already said, possessed in a high degree that humanity of feeling which had once been my distinguishing trait, and the source of my simplest and purest pleasures.

With my aversion to this cat, however, its partiality for myself seemed to increase. It followed my footsteps with a pertinacity which it would be difficult to make the reader comprehend. Whenever I sat, it would crouch beneath my chair or spring upon my knees, covering me with its loathsome caresses. If I arose to walk it would get between my feet and thus nearly throw me down, or, fastening its long and sharp claws in my dress, clamber in this manner to my breast.

At such times, although I longed to destroy it with a blow, I was yet withheld from so doing, partly by a memory of my former crime, but chiefly—let me confess it at once—by absolute dread of the beast.

This dread was not exactly a dread of physical evil—and yet I should be at a loss how otherwise to define it. I am almost ashamed to own—yes, even in this felon's cell, I am almost ashamed to own—that the terror and horror with which the animal inspired me had been heightened by one of the merest chimeras it would be possible to conceive. My wife had called my attention more than once to the character of the mark of white hair, of which I have spoken, and which constituted the sole visible difference between the strange beast and the one I had destroyed.

Upon the fourth day of the assassination, a party of the police came very unexpectedly into the house, and proceeded again to make rigorous investigation of the premises. Secure, however, in the inscrutability of my place of concealment, I felt no embarrassment whatever. The officers bade me accompany them in their search. They left no nook or corner unexplored. At length, for the third or fourth time they descended into the cellar. I quivered not in a muscle. My heart beat calmly as that of one who slumbers in innocence. I walked the cellar from end to end. I folded my arms upon my bosom, and roamed easily to and fro. The police were thoroughly satisfied, and prepared to depart. The glee at my heart was too strong to be restrained. I burned to say if but one word by way of triumph, and to render doubly sure their assurance of my guiltlessness.

"Gentlemen," I said at last, as the party ascended the steps, "I delight to have allayed your suspicions. I wish you all health, and a little more courtesy. By the by, gentlemen, this—this is a very well-constructed house," [In the rabid desire to say something easily, I scarcely knew what I uttered at all,] "I may say an excellently well-constructed house. These walls—are you going, gentlemen?—these walls are solidly put together;" and here, through the mere frenzy of bravado, I rapped heavily with a cane which I held in my hand upon that very portion of the brick-work behind which stood the corpse of the wife of my bosom.