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Concetti Chiave

  • Osborne's "Look Back in Anger" introduces the "Angry Young Man," representing the post-war rebellious youth of the 1950s.
  • The protagonist, Jimmy Porter, is an anti-hero who protests against the Establishment but fails to take meaningful action.
  • Despite being a university graduate, Jimmy's education does not yield economic success, forcing him to live in a squalid flat with his wife and friend.
  • The play highlights a lack of communication between Jimmy and his passive wife Alison, who eventually leaves him but returns after personal loss.
  • The plot is circular, ending as it begins, with dramatic tension between Alison's silence and Jimmy's intense monologues.

John Osborne and “ Look Back in Anger”

Osborne in his play “Look Back in Anger” refuses the traditional mores and introduces the figure of the “Angry Young Man” whose rebellious nature is typical of post-war generation of Fifties. Jimmy porter, the protagonist, embodies perfectly this youth and is considered also an anti-hero, because even if he is a protester, an outsider rebel against the Establishment, he never does something and vents his violence, frustration and useless complaints on his wife Alison, the daughter of a retire colonel, symbol of the System, which he does not accept and symbol of that high class that he has never managed to reach .So Jimmy even if he is a university graduate, is forced to live and share a squalid flat with his wife and his friend Cliff. He is not satisfied because his education has not brought any economic income and behaves in a nevrotic way. Between husband and wife there's no communication, Alison is completely passive, but in the second act, she reveals the stronger of the two because she has the courage to choose: she leaves him and looks for a better life. However she comes back because she has lost her baby and everything returns as before. In this way the plot is circular, structured according to a conventional way, and it is also dramatic because there's the distinction between the silence of the woman and an hard monologue of the man.

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