Concetti Chiave
- Morality plays were didactic dramas used by the Catholic Church to teach principles of Christianity, highlighting life as a pilgrimage to salvation.
- The English language evolved through influences from the Angles, Saxons, Jutes, Latin, and Danes, with significant developments post-1066 leading to Middle English.
- The Anglo-Norman period saw French, Latin, and English coexist in England, with major social and political changes including the Magna Charta and the rise of the middle class.
- John Donne, a significant figure in literature, transitioned from a life of social engagements to religious devotion, blending wit and complex imagery in his metaphysical poetry.
- The English Renaissance sonnet, adapted by Sir Thomas Wyatt, focused on themes of courtly love and poetic creativity, with a structure that fosters rhetorical exploration.
The solemn lessons are often mixed with comical passages.
St. Augustine and his followers enriched the English language with Latin words and gave Christian meanings to a few old words (God, Haven).
In the 8th & 9th centuries the raids of the Danes provided the final influence on the structure and vocabulary of the English language.
There were 3 languages in England: French among nobility and at the court, Latin among the clergy and English among the common people.
The Normans introduced the Feudal System: others helped the king in the administration of territories. The manors were shared out among Normans and bishops who replaced English nobles.
In 1170 the conflict between the State and the Church led to the murder of the Archbishop of Canterbury.
In 1215 King John signed the Magna Charta. The following years saw the foundation of Parliament, initially formed by nobles, and later also by gentry and merchants.
The latter part of this period was characterised by the Peasant’s Revolt. The leaders of this revolt were executed but slowly the peasants won their freedom.
Abroad England fought against France in the Hundred Years War (1337-1453). The ensuing peace was broken by a civil war between the supporters of two houses: Lancaster and York (The Wars of the Roses). The end of the conflict marked the beginning of the Tudor reign.
The social system was characterised by a social scale: at the top there was the nobility, below them the knights, then the traders, the craftsmen and the freemen of town. At the bottom there were the “villains”. The middle class was beginning to emerge. The woman’s position was inferior to the man’s: they had to cook food and keep the house in good order; they had to obey their husbands. Also the hierarchy of the Church was firmly established (“war” between “regular” clergy and “secular” clergy).
Most people lived in the country but towns began to grow in population and importance (London).
Craftsmen and traders created associations of people with the same job to regulate prices.
Compared to Old English, Middle English had a wider vocabulary and simpler structures. There were many varieties of English but the dialect of London established its supremacy because it was used by Chaucer and Caxton.
In the words of one of his contemporaries he was “a great visitor of ladies, a great frequenter of plays, a great writer of verses”. He became secretary to Sir Thomas Egerton, one of the highest officials of Queen Elizabeth’s government. He seemed to have opportunities for a political career but he ruined himself when he married Ann More without permission. He was imprisoned, he lost his job and became poor. This crisis caused a change in him: he became an eminent preacher. He decided to take the holy order in 1615.
He lived in a period when scientific and religious controversies were destroying the unity of the medieval world.
His writing career covers both phases of his life and mirrors the complexities of his time.
His love lyrics were published in 1633 but they also circulated during his lifetime. His religious poetry appeared in 1609 and shows some continuity with his early works.
His lyrics are in the form of dialogue and they use vigorous colloquial language and complex images.
To understand his poetry we have to comprehend two terms: wit, the capacity to relate ideas. The poet displays his wit through the use of conceits: unusual comparisons between objects that don’t seem to have anything in common.
We consider Donne a Metaphysical because he uses the language of philosophical speculation (metaphysical) in inappropriate contexts (love poetry).
His poems contain many similes. Metaphors, conceits, puns and paradoxes.
The main theme of Renaissance sonnets was courtly love: the poet’s passion for an unattainable Lady. Other minor themes were the lady’s beauty and virtues, the transience of life and the immortalising power of poetry. The development of subject is a challenge to the poet’s creativity.
Sonnets would often take the form of monologues, with an apostrophe to someone, or dialogues, or narrations.
Very often the discourse follows the division in quatrains, each group of lines presenting one aspect of the argument. Many rhetorical figures are used. The final couplet became an epigram. The language used is refined with Latin words, suitable for poetic effects.
Domande da interrogazione
- ¿Cuál era el propósito principal de las obras de moralidad?
- ¿Cómo influyeron los normandos en el idioma inglés durante el período anglo-normando?
- ¿Qué cambios experimentó John Donne en su vida y carrera?
- ¿Cómo se transformó el soneto italiano al ser introducido en Inglaterra?
- ¿Qué caracteriza a la poesía de John Donne y por qué se le considera un poeta metafísico?
Las obras de moralidad se escribieron para enseñar a las personas a mejorar su comportamiento moral y educar al pueblo en los principios del cristianismo.
Los normandos introdujeron el sistema feudal y su idioma, el normando-francés, influyó en el inglés, que era hablado por la mayoría de la población, mientras que el francés y el latín se usaban entre la nobleza y el clero.
John Donne pasó de ser un poeta y secretario con potencial para una carrera política a convertirse en un predicador eminente después de una crisis personal que incluyó su matrimonio sin permiso y la pérdida de su trabajo.
Sir Thomas Wyatt alteró la forma del soneto italiano al convertir los 6 versos finales en un cuarteto y un pareado, manteniendo el tema principal del amor cortés.
La poesía de John Donne se caracteriza por su uso del ingenio, comparaciones inusuales y lenguaje coloquial vigoroso. Se le considera un poeta metafísico por usar el lenguaje de la especulación filosófica en contextos inapropiados, como la poesía amorosa.