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• POINT OF RESISTANCE, SITES OF STRUGGLE, AND CONFLICTS IN
RELATION TO SUBORDINATION:
Several major conflicts of the movie involve struggles between the classes. Many also
occur within the main character Frank, as he struggles to identify with his perception of how life
should be lived and the reality of how he is currently living it.
After many and many hopes, promises and consequent delusions created by his irresponsible
father, Frank, although is only a young child, decided that is coming the time to do something for
his life, his family: he realizes he has to go to work to help the rest of the family doing the worst
job he finds. He becomes the helper of a coalman. Unfortunately he has to give up his job
because of a bad conjunctivitis provoked by coal dust. He finally found a new job: he was a
mailman. He has the chance to meet the money lander of the village that gave him the task to
write threatening letters to those who still haven't paid their debts.
The relationship of power displayed through the interactions between Angela, her family,
and between other characters in the movie may be explained in terms of class hierarchy. The
class hierarchy in Ireland in this time period was characterized by a contrast between the poor,
the rich, and at the top Church priests, brothers, sisters, and nuns. As Angela´s family was poor,
it was often subject to the whims of those in power or who had money. They are constantly
struggling to survive with resources they don´t have--money, food, or adequate housing. In order
to provide, Angela must sacrifice what Frank considers her human dignity; she begs for scraps
from the Church after meals and sleeps with Laman Griffin, her cousin for a place to stay.
The first situation is the worst of all,decayed by his husband that due to his pride, couldn't
never ask something in order to be helped. So Angela,frustrated, has to beg for food and other
needs in an international Roman Catholic Roman Catholic Roman Catholic Roman Catholic
voluntary organization (The St Vincent de Paul Society) that has the role to help poor by
providing concrete assistance to anyone in need. But the way they treat her is inadmissible.
Being an association managed by wealthy people, they didn't really care about the others and
their needs. They show an evident racism towards who is not from there: this is what happens to
Angela when she has to say that her husband, which comes from the North, went to London to
find a job, but he didn't send any money back.
The second situation is a consequence of the continous needs to change house due to the
absence of money to pay the rent. This big family does not really have a home, even if this
appears to be the most important place for them. The first one they lived was maybe the best they
had, but they had to leave because they could not afford it. New York was too expensive.
They had to move to Ireland and Angela decided to ask her family to help them find a place
where they could stay. Her mother and her sister did not seem to like her husband and her family
at all. Angela's mother found a small room for them but the first night they had been woken up
by the fleas. In that same room Oliver and Eugene died because of the bad conditions of their
health. The family has to move again. The neighbourhood looks like it's abandoned despite the
amount of people that live there. It's squalid, it doesn't have road surface pavement, it's dirty, full
of rain water everywhere. This is why they had to move upstairs. Since Malachy did not have a
great spirit of adaptation and he could not find a job, the family had to move once again.
After Angela and Malachy's argument, he left to go to London. The woman with his children
went to his uncle's house provided that she would have been his "servant" and "partner". Even if
this house seems to be better than the others, it is nothing compared to those that Frank had the
priviledge to visit, like the local money lander's house and the girl's he felt in love with. This way
of showing great differences between Riches and Poors let us realize that the social gap between
classes has always been really harsh.
In these two situations the provider of whatever resource that Angela needs has the power
to subjugate or subordinate her in order to help her sons. She is the character that must struggle
to have a better life.
Also present but more obscure might be the relationship of power between Catholics and
Protestants in the movie. Between the two social states there is no general hierarchy: being
Catholic or Protestant does not place one in better social circumstances than if one were the
other. However, in Ireland it does, depending on where one lives. In Frank´s case, he must deal
with the "lowly" occupation of delivering protestant newspapers, a burden for him, since he is
Catholic. In General, Southern Ireland, where the movie takes places, is predominantly Catholic;
thus giving Catholics better social standing, and placing Protestants under relative class
subordination.
Besides class conflicts that Frank may or may not be aware of, he clearly disagrees with the
actions his mother takes in order for them to have a home and food. He feels ashamed, and thinks
that it is undignified to beg for scraps from the Church or sleep with Laman Griffin to have a
house. Being poor he sees no other way himself to provide until he can begin working.
• CONTEXT OF DIFFERENCE AND POINT OF VIEW AHD HOW THEY
CHALLENGE IDENTITY:
The main contexts of difference in the movie come from Angela´s point of view and the
point of view of both Frank the protagonist and narrator. Viewers may derive the context of the
characters´ actions through an examination of what events they focus on in telling their story and
how they react to them.
In the movie Frank often struggles with the decisions his mother makes in order to
provide for their family. His struggle to reconcile her actions with his sense of dignity challenges
the identity he thinks his mothers should have in contrast to the one he perceives of her, and it
also challenges his own identity and how he views shame. In class he feels ashamed for his lack
of adequate clothing and his classmates make fun of him for that, immediately excluding him
from friend groups. Along with this he feels ashamed that his father is a drunk and "drinks the
dole," leaving the family constantly hungry. While Frank struggles to be accepted in class, the
hardship which surrounds him makes him acutely aware of the needs of his family. His father
eventually leaves, but even before this Frank has had to become a father figure for his younger
brother. Eventually he takes on the role of the family patriarch and begins working to help his
family. He constantly struggles with shame throughout the movie, and until he frees himself
through confession, he is unable to leave his family and go back to America where he thinks life
will be easier.
Viewers can sympathize both with Angela and Frank as they try to live under difficult
circumstances. The constant struggle forms Frank into a compassionate person as he eventually
understands his mother and the decisions she made.
Another division of thought can be seen represented by the behavior of 2 different
characters: Angela’s husband, Frank, and her mother. They represent 2 different entities and
even if they belong to the same country, Angela's mother (a widow) and sister refused to help her
because they disapproved of her husband, as he was not from Limerick but “from the North”.
He’s not accepted also because he’s unable to find and keep a real job.
He should represent the patriarch of the family, the one that should provide food and a good
place to stay for his family is the character that, in this movie, does not show any sense of
adaptation because of his proudness. He's a squanderer, he wastes all his money for the beer and
doesn't care if his sons are starving. Even when we think he has got himself sorted out going to
London to get a job, he's not going to keep his promise and he won't send any money.
The contrast between Malachy,Angela and Frank too could consider as raised from
different points of views: Frank,Angela's husband is her "antagonist". While she tries with all her
strenght to improve the situation, Malachy seems not to understand her demands. He does not
understand what's overriding. He looks like a yob, even if we believe he does that just because
of a question of proud. He escapes problems rather than confront or solve them. Frank, despite
his young age, decides to take it upon himself and look for a job in order to help his family.
• HOW THE AWARENESS OF SIGNIFYNG PRACTICES HELP EXPLAIN
IDENTITY AND REPRESENTATION:
Some signifying practices present in the movie are the conjugation of beggars around the
church to receive the scraps of whatever the priests have eaten, when Frank has his first pint,
when he goes into confession, and when he throws the debter´s ledger into the river Shannon.
Geographical difference can also be reflected on these religious believes. In addition to
Catholicism, the people of Limerick exhibit a narrow provincialism, in which Protestants and
anyone who comes from the north of Ireland are despised, and an Irish nationalism that is fueled
by hate of the English. Frank’s family never showed any interest towards religion and this is
something that really bothers Angela’s mother. She can not believe those kids were grown up
without knowing God.
The awareness of these practices often helps explain identity and representation in the
movie. The conjugation of scrap beggars outside the church is a practice which represents the
relationship of power and subordination in Irish society as well as being ironic. The clergy,
members of a church which published the beatitudes, the bible, and Jesus´ words of compassion,
are relatively wealthy. They can afford to eat their fill and give whatever is left to the poor, those
who do not have enough to eat. It is a symbol of the relationship the church has over all the
people, because they also control the system of education and define social norms.
Frank´s first pint is also a practice and symbol for his identity and also the identity of the
Irish working class. The class is represented constantly as a struggling group of people, working
long hours in difficult, dirty, and dangerous conditions for low pay, and what unifies them and
gives them vigor at the end of the day is a pint at the bar. After Frank´s first day of work in the
coal mines, he drinks his first pint and becomes drunk. This represents Frank´s step into his
father´s role as father figure of the family, sacrificing his safety and well-being to provide for his
family better means. The event also represents Frank´s separation from his father as well, since
he chooses after that night to never be like his father and drink away the resources of his family.
It is a turning point in the stor