Concetti Chiave
- John Keats, a prominent Romantic poet, was deeply influenced by sensations, medieval themes, and Greek civilization, despite his short life due to TB.
- Keats faced personal challenges, including health issues and unfulfilled love, which did not hinder his prolific poetry writing, such as his famous odes.
- His poetry often delves into themes of pleasure and pain, reality versus imagination, and is characterized by its medieval influences.
- Initially unrecognized, Keats's reputation grew posthumously, with imagination playing a crucial role in his poetic works, creating an idealized artistic world.
- The contemplation of beauty, both physical and spiritual, is central to Keats's work, linking beauty with truth and inspiring later movements like Aestheticism.
John Keats: life and career
John Keats is the greater member of the second generation of Romantic poets who blossomed early and died very young. He is Romantic in his relish for sensations, his feeling for the Middle Ages, his love for Greek civilisation.
He was born in London in 1795. His father early dead, and also his mother, killed by TB. His earlier passion for reading and poetry never deserted him, however, and despite passing his exams to become an apothecary surgeon in 1816, he announced his decision to devote his life to writing verse. Keats soon became an important writer like Shelley.
Also his brother Tom died because of TB.
Love and personal difficulties
His ever-frail health deteriorated rapidly following a walking tour in the Highlands in 1818, and the combination of family problems made matters worse. He fell in love with Fanny Brawne, but poverty, his bed health and his religious pursuit of poetry made marriage impossible. In spite of these difficulties Keats wrote a lot of poem, for example:
Some odes:
- “Ode to a Nightingale”
- “Ode on a Grecian Urn”
- “To Autumn”
- “Ode on Melancholy”
- “To Psyche”
The poetry of Keats
The poet explores the relation between pleasure and pain, happiness and melancholy, art and life, reality and imagination.
The ballad “La Belle Dame sans Merci”-> taste for medieval themes and form.
In 1820 he coughed up blood and in September he travelled to Italy for recover his health but in February 1821 he died in Rome. He was buried in the protestant cemetery and before to died he dictated his own epitaph: “Here lies one whose name was write in water“ -> these words reflect the poet’s view of himself and his art.
Reputation and imagination
Keats reputation: When John Keats died he was hardly known outside his own literary circle. He was rediscovered later.
The role of imagination: his belief in the supreme value of the Imagination made him a Romantic poet. The world of his poetry is imaginary, artificial. He images more than reflect from experience.
He was interested in unfamiliar, strange and remote in place and time. His ideal world is stimulated by his own experience of pain and misery. He considered art’s world as a perfect world.
The theme of beauty
Beauty: the central theme of his poetry: what strikes his imagination more is beauty, and it is his disinterested love for it that differentiates him from other romantic writers and makes him the forerunner of the aesthetes and in particular of Oscar Wilde. They saw in his cult of Beauty the expression of the principle “Art for Art’s sake”. The contemplation of beauty is the central theme of Keats’s poetry. Classical Greek world inspires John Keats. The expression of beauty is the ideal of all art. Greek’s world lives again in his verse, recreated and reinterpreted with the eyes of a Romantic.

Physical and spiritual beauty
Phisycal beauty and spiritual beauty:
Physical beauty.
It appeals to the senses.
It decays.
Spiritual beauty: love, friendship, poetry it is eternal.
These two kinds of beauty are strongly connected.
Beauty and truth: John Keats identify beauty and truth as the only type of knowledge, as he affirms in the “Ode on a Grecian urn”. This concept of beauty paves the way for Aestheticism, but it is still a romantic feature because of its moral aim. By beauty we can find the truth.
Negative capability: it is the capability to deny himself in order to identify him with the object of inspiration, for example the Grecian urn.