Fabrizio Del Dongo
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Concetti Chiave

  • Albert Chinualumogu Achebe argues that Marlow's attitudes in "Heart of Darkness" reflect Conrad's own views, despite the potential for irony and criticism.
  • Conrad's portrayal of Marlow is infused with mocking irony, suggesting a distinction between the author and his character.
  • Marlow's hypocritical stance on lying and his flawed justifications for colonialism highlight the separation between him and Conrad.
  • The narrative contrasts European colonialism with Roman conquest, questioning Marlow's glorification of European actions.
  • Conrad criticizes European colonialism through Marlow's flawed perceptions, further distancing himself from the character.

Heart of Darkness: Author vs Character

There is a distinction between author, narrator, and character: the author creates the story, the character lives the story. Albert Chinualumogu Achebe believes that the attitudes and opinions of Marlow, which can sometimes be quite harsh and racist, are also the opinions of Conrad even Though one could contend that Conrad, rather than endorsing Marlow’s attitude, might be holding it up to irony and criticism. He recognizes the many layers between Marlow and Conrad in the “story within a story” motif but suggests that if the really wanted to separate himself from his character, he would have hinted at “an alternative frame of reference by which we may judge the actions and opinions of his characters”. Also, he believes that Conrad is Marlow because of the similarity between their careers.
Achebe throws that out and expects us to accept it as fact without any substantiation. I believe that Marlow is drawn with a sort of mocking irony which, though quiet, distinguishes Conrad from his character. An example of the humour put into the character is in the description of Marlow as resembling an idol who sits like a European Buddha.
“Mind” he began again, lifting one arm from the elbow, the palm of the hand outwards, so that, with his legs folded before him, he had the pose of a Buddha preaching in European clothes and without a lotus-flower...” Marlow also claims to be very against telling lies, and yet he does so himself in at least two situations. Servan writes, “He condemns the Roman conquest and contrasts it with the “superior” European colonialism”:

“What saves us is efficiency – the devotion to efficiency. But these chaps were not much account really. The were no colonist, their administration was merely a squeeze.... They were conquerors, and for that you only want brute force – nothing to boast of, when have it, since your strength is just an accident arising from the weakness of others. They grabbed what they could.... it was just robbery with violence, aggravated murder on a great scale.... the conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses the ourselves, is not a pretty thing when you look into it too much. What redeems it is the idea only. An idea at back of it, not a sentimental pretence but an idea; and an unselfish belief in the idea....” (from “Heart of Darkness)
This quotation shows the obvious separation between the author and the character because the rest of the story shows that the conquest of the Europeans was actually worse than the conquest of the Romans which goes against Marlow’s claim above. The Forest on Suffering is an example of the treacherousness of the European conquest, and the bloodthirsty remorselessness that the Europeans show toward the Africans. Marlow is further separated from Conrad because of the view of the “glorious sailors” proudly talked about by Marlow who were, in reality, non better than pirates and plunderers.

Domande da interrogazione

  1. ¿Cuál es la principal crítica de Albert Chinualumogu Achebe hacia la relación entre Conrad y Marlow?
  2. Achebe cree que las actitudes y opiniones de Marlow, que a veces son duras y racistas, también son las opiniones de Conrad, sugiriendo que Conrad no se distancia adecuadamente de su personaje.

  3. ¿Cómo se describe la relación entre Marlow y Conrad en el texto?
  4. Se sugiere que Conrad podría estar usando la ironía y la crítica para distanciarse de Marlow, y que hay capas entre ellos en el motivo de "historia dentro de una historia".

  5. ¿Qué ejemplo se da para mostrar la ironía en el personaje de Marlow?
  6. Se menciona la descripción de Marlow como un ídolo que se sienta como un Buda europeo, lo que añade un toque de humor al personaje.

  7. ¿Cómo se evidencia la separación entre el autor y el personaje en la obra?
  8. La separación se evidencia en la contradicción entre las afirmaciones de Marlow sobre la superioridad del colonialismo europeo y la realidad mostrada en la historia, donde la conquista europea es retratada como más traicionera que la romana.

  9. ¿Qué simboliza "El Bosque del Sufrimiento" en la obra?
  10. "El Bosque del Sufrimiento" simboliza la traición y la falta de remordimiento de los europeos hacia los africanos durante la conquista, destacando la brutalidad del colonialismo europeo.

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