Conceptual metaphors
A conceptual metaphor is a metaphor that concerns the way we develop and understand
concepts and ideas. In their study entitled Metaphors We Live By, Lakoff and Johnson
argued that metaphor is pervasive in human thought and everyday language. They showed
that metaphors are not simply linguistic devices used to make language more expressive,
but fundamental mechanisms through which people conceptualise the world and their
activities.
Conceptual metaphors allow us to understand abstract or complex concepts in terms of
more concrete and familiar experiences. They therefore influence not only the way we
speak, but also the way we think and understand reality.
Target domain and source domain
Lakoff and Johnson introduced a systematic and replicable methodology for analysing
conceptual metaphors. This methodology is based on the distinction between two domains:
- TARGET DOMAIN: the abstract or complex concept that we want to understand. It is
the subject matter being conceptualised.
- SOURCE DOMAIN: the more concrete or familiar concept through which we
understand the target domain.
The source domain provides a structure that helps us make sense of the target domain by
transferring some of its characteristics to it. This process is called metaphorical mapping.
For example:
- They won the argument.
This sentence involves understanding an argument in terms of war. The verb won is
normally associated with competitions or conflicts, including warfare, and therefore evokes
the source domain of war.
- SOURCE DOMAIN: war.
- TARGET DOMAIN: argument.
The conceptual metaphor can be expressed as:
- ARGUMENT IS WAR
This means that we understand arguments as if they were battles: people defend their
positions, attack their opponents' ideas and try to win the discussion. The metaphor is not
limited to the verb won, but reflects a broader way of conceptualising arguments.
Systematicity of metaphors
Conceptual metaphors are often systematic because the same relationship between a
source domain and a target domain can be expressed through different words and linguistic
expressions. In other words, several expressions that are different from a lexical point of
view may reflect the same underlying conceptual metaphor. This means that a conceptual
metaphor is not simply an individual word or expression, but a more general pattern of
thought. Bodily experiences, for example, can influence our conceptual system. As living
beings, we need food to survive, and eating is a familiar experience that can help us
understand other aspects of life. 1
Consider the expression:
That is food for thought.
- SOURCE DOMAIN: food.
- TARGET DOMAIN: thought or ideas.
This expression conceptualises thoughts as something that can nourish the mind, just as
food nourishes the body. The concrete experience of eating is used to make the abstract
process of thinking more understandable. This expression belongs to a broader system of
metaphors in which ideas are understood in terms of food and eating.
The underlying conceptual metaphor is:
- IDEAS ARE FOOD
This conceptual metaphor can also be expressed through other linguistic expressions, such
as to digest information or to chew over an idea. In these examples, mental processes are
understood through actions associated with food and eating. The systematicity of conceptual
metaphors therefore consists in the fact that a single conceptual mapping can generate
several different linguistic expressions.
Cultural-specific metaphors
Cultural contexts influence the way metaphors develop and are understood. Different
cultures may conceptualise the same abstract concept through different source domains,
depending on their experiences, values, practices and linguistic conventions. For example,
Italian and English use different colour metaphors to refer to financial situations.
In Italian, the expression essere al verde refers to having little or no money.
- SOURCE DOMAIN: the colour green.
- TARGET DOMAIN: one's financial situation.
In English, the expression to be in the red refers to being in debt or having a financial deficit.
- SOURCE DOMAIN: the colour red.
- TARGET DOMAIN: one's financial situation.
Although both expressions refer to financial circumstances, they use different colours to
convey their meanings. These examples illustrate how metaphorical expressions may vary
across languages and cultures.
Cultural-specific metaphors are metaphors that arise from the particular experiences,
values and practices of a given cultural community. Their meaning may depend on cultural
conventions that are not necessarily shared by speakers of other languages.
Culture and metaphors
Cultural contexts can influence both the linguistic expressions used to convey a metaphor
and the metaphorical mappings themselves. Different cultures may therefore have different
metaphorical expressions for the same concept or, in some cases, conceptualise the same
concept through different source domains.
An example is the expression:
- Stop wasting my time!
This expression is based on the conceptual metaphor:
TIME IS MONEY 2
- SOURCE DOMAIN: money or valuable resources.
- TARGET DOMAIN: time.
The verb waste is commonly associated with money and resources. When it is used with
time, it transfers the idea of wasting something valuable to the way we understand time. The
metaphor conceptualises time as a resource that can be spent, saved or wasted, just like
money. It reflects the idea that time is valuable and that using it inefficiently means losing
something important.
Other expressions based on the same conceptual metaphor include spending time, saving
time and investing time. These expressions demonstrate the systematic nature of conceptual
metaphors: different linguistic expressions can reflect the same underlying relationship
between a source domain and a target domain.
Lexical metaphors
When we analyse lexical metaphors, we concentrate on lexical choices, that is, the choice
of words used to express a particular meaning. In particular, we focus on words and
expressions that draw on a source domain to describe or conceptualise something belonging
to a target domain.
Some common lexical metaphors in English are also manifestations of conceptual
metaphors. This means that different metaphorical expressions can reflect the same
underlying conceptual structure. For example, the following expressions are based on the
conceptual metaphor LIFE IS A JOURNEY:
- He has no direction in life.
- He is lost.
- We are at the crossroads.
- She will certainly go places.
- Don't let anyone stand in your way.
In these expressions, life is understood in terms of a journey. The source domain is the
experience of travelling, while the target domain is life. Expressions such as direction, lost,
crossroads and way refer literally to journeys, but they are used metaphorically to describe
life choices, difficulties and future opportunities.
Similarly, the following expressions are based on the conceptual metaphor IDEAS ARE
FOOD:
- I can't digest the entire book.
- Those ideas are half-baked.
- That's food for thought.
- Let me stew over that one.
- This is my bread and butter.
- It's a piece of cake.
These expressions use vocabulary associated with food and its preparation to describe
mental processes, ideas, work and activities. For example, digest refers to the process of
breaking down food, but in the expression I can't digest the entire book, it refers to the
difficulty of processing and understanding information. 3
Another example of a lexical metaphor is:
- My lawyer is a shark.
In this sentence, the lawyer is metaphorically described as a shark. The expression transfers
characteristics associated with the animal to a human being.
Similarity and difference in lexical metaphors
Lexical metaphors exploit both similarity and difference between the metaphorical
expression and its corresponding literal meaning. A metaphorical expression has some
elements in common with the literal concept it evokes, but it also contains differences. It is
precisely this contrast that allows us to recognise the metaphorical meaning.
Consider the example:
- My lawyer is a shark.
The difference between the two concepts is immediately recognisable:
- A lawyer is a human being and a professional figure.
- A shark is an animal.
However, the intended similarity concerns certain characteristics associated with sharks in
the popular imagination, such as aggression, ruthlessness and the ability to attack. The
metaphor therefore transfers these characteristics from the source domain of sharks to the
target domain of lawyers. The contrast between the literal meaning and the intended
metaphorical meaning is essential. If there were no difference between the two concepts, the
expression would not produce the same metaphorical effect.
Metaphors as a question of word choice
Metaphors are also a question of lexical choice. When expressing a particular meaning,
speakers and writers can choose between a more congruent or literal wording and a more
metaphorical one. These choices are important because different expressions can
communicate similar information while producing different effects on the reader or listener.
Consider the following examples:
- My lawyer is a shark.
- My lawyer is ruthless.
Both expressions communicate the idea that the lawyer behaves aggressively or without
compassion. However, they do not produce exactly the same effect. In the first example, the
lawyer is compared to an animal associated with aggression and attack. The metaphor
suggests that the lawyer's behaviour is not simply ruthless within the boundaries of ordinary
human behaviour, but resembles the behaviour attributed to a dangerous predator. The
image of the shark makes the description more vivid and emotionally powerful. It can also
encourage the reader to perceive the lawyer as threatening or dangerous. In the second
example, ruthless directly expresses an abstract quality. Although the word conveys a
negative judgement, it does not evoke the same concrete image as shark. Therefore, the
choice between a literal and a metaphorical expression affects how a message is
interpreted. Metaphors can make abstract qualities more concrete, create emotional
associations and influence the way people perceive a person, situation or event. For this
reason, speakers and writers should be aware of the effects produced by their lexical
choices. 4
The etymology of "Fall in Love"
The expression fall in love provides an example of a lexical metaphor that has existed in
English for centuries. According to the etymological information, the expression is attested
from the 1520s. The verb fall can mean to pass suddenly and often involuntarily into a
particular physical or mental state. It appears in several expressions, including:
- Fall into a trap.
- She fell ill.
- They fell out of favour.
- Fall in love.
- Fall asleep.
- Fall prey to an impostor.
- Fall into a strange way of thinking.
- She fell to pieces after she lost her job.
In these expressions, fall does not necessarily refer to a literal physical movement
downwards. Instead, it describes entering a particular state or experiencing a change that
may be sudden or difficult to control.
In fall in love, love is conceptualised as a state into which a person falls, rather than
something they necessarily choose or enter through a deliberate process. The metaphor
therefore presents falling in love as an experience that can happen unexpectedly and
without complete control. This example also illustrates the relationship between language,
metaphor and culture. A metaphorical expression can become so conventional through
repeated use that speakers may no longer consciously perceive its metaphorical origin.
Lexical metaphors, culture and political discourse
Metaphors are closely connected to cultural contexts because they draw on shared
experiences, values and associations. They can also be used strategically in public
discourse to influence the way people understand political events and policies.
One example is the use of war-related vocabulary in political communication.
The Frame POLITICS IS CONFLICT
A frame is a conceptual structure through which we understand and interpret a particular
situation or area of experience. It organises the way we perceive events by highlighting
certain aspects of reality and making particular associations more prominent.
The frame POLITICS IS CONFLICT conceptualises political activity in terms of
confrontation, opposition and struggle.
Jonathan Charteris-Black studied a corpus of post-war manifestos produced by the two
major political parties in the United Kingdom. He found that both parties commonly used
terms such as fight, battle, protect and threat to present their policies. These words belong to
the semantic field of conflict and warfare. When used in political discourse, they can frame
political problems as threats that require action, opponents as adversaries and policies as
strategies for fighting or defending something. For example, the word fight can refer literally
to a physical confrontation, but in political discourse it can also describe efforts to address a
social problem, challenge an opponent or defend a particular principle. 5
According to research, the WAR FRAME was more prevalent than other figurative frames in
March and April 2020. This example demonstrates that metaphors are not merely decorative
linguistic devices. Their use can reflect the cultural and historical context in which
communication takes place and influence how people interpret particular events.
Politicians and rhetoric: the persuasive power of metaphor
In Politicians and Rhetoric: The Persuasive Power of Metaphor, Jonathan Charteris-Black
explains how metaphors can function as powerful instruments of persuasion. Metaphors
create a bridge between the familiar and the unfamiliar. They transfer meaning from a source
domain that people can easily understand to a more complex target domain that may be
more difficult to grasp.
By drawing on deeply rooted cultural schemata, politicians can present their beliefs and
policies in ways that resonate with their audiences. For example, when politics is framed as
war, politicians can portray themselves as heroic figures engaged in a difficult struggle. Their
policies may be presented as necessary actions to defend the community, overcome threats
or defeat an opponent. At the same time, political opponents can be represented as
enemies, while opposing policies can be depicted as dangerous or even villainous.
Metaphors therefore influence the way political actors and events are represented. They can
highlight particular aspects of a situation while downplaying others, encouraging audiences
to interpret political issues from a specific perspective. Their persuasive power lies partly in
their ability to make complex arguments more accessible and emotionally meaningful.
Rather than simply presenting information, metaphors can shape the audience's perception
of what is happening, who is responsible and what should be done.
Interpersonal meanings
Interpersonal meanings concern the ways people interact through language and the
relationships they establish with one another. The way we communicate depends on the
relationship we have with other speakers, but our linguistic choices can also influence that
relationship. We therefore adapt the language we use according to the person we are
addressing, the context in which communication takes place and the social roles involved.
Interpersonal meanings are not limited to spoken communication. They are also important in
writing, including emails, letters and other forms of written interaction. 6
Interpersonal Meanings and Social Relationships
The following example, discussed by Holmes (1992: 3), illustrates how the same person can
be addressed differently depending on the relationship between the speakers and the social
context in which the interaction takes place.
Every afternoon, Margaret packs her bag and leaves her Cardiff office at about five o'clock. As she
leaves, her business partner says Goodbye Margaret, and she replies Goodbye Mike. Her secretary
says Goodbye Ms Walker, and she replies Goodbye Jill. The caretaker says Bye Mrs Walker, to which
she responds Goodbye Andy. As she arrives home, she is greeted by Hi mum from her son, Jamie,
Hello dear, have a good day? from her mother, and simply You're late again! from her husband.Later
in the evening, the president of the local flower club calls to ask if she would like to join. She begins
the conversation by saying, Good evening, is that Mrs Billington? Margaret answers, No, it's Ms
Walker, but my husband's name is David Billington. She then asks, What can I do for you? Finally, a
friend calls her Borodar Meg, how's things? (Holmes, 1992: 3).
These examples show that forms of address, greetings and the choice of words vary
according to the social relationship between speakers. The same person can be addressed
in different ways depending on the degree of familiarity, the social roles involved and the
communicative context. For example, Margaret's business partner calls her Margaret, while
her secretary uses Ms Walker and the caretaker uses Mrs Walker. These different forms of
address illustrate how people can choose between first names, titles and surnames when
interacting with others. Using someone's first name can suggest familiarity, whereas using a
title and surname can signal greater formality or social distance. However, the interpretation
of these forms depends on the context: Ms and Mrs, for instance, are not interchangeable in
meaning because they convey different information about the person being addressed.
The example also shows that the way Margaret addresses other people does not always
correspond exactly to the way they address her. Her business partner calls her Margaret, but
she replies using his first name, Mike. Her secretary addresses her as Ms Walker, but
Margaret replies using Jill. Similarly, the caretaker calls her Mrs Walker, while she calls him
Andy. These choices illustrate how people may use different forms of address while
maintaining
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