Riassunto completo e dettagliato basato su rielaborazione personale e studio autonomo della dispensa del professore e dei test critici (dispensa) 2018/19:
Lawrence Graver, Waiting for Godot, A Student Guide, Cambridge University Press, 1989.
The Cambridge Introduction to Samuel Beckett, ed. by Ronan McDonald, Cambridge University Press, 2006
Annamaria Cascetta, Il Tragico e l’umorismo, Firenze, Le Lettere, 2000
Theodor W. Adorno, '‘Trying to Understand Endgame’, New German Critique, No. 26, Critical Theory and Modernity
John Fletcher, Samuel Beckett: Waiting for Godot, Krapp’s Last Tape and Endgame, London, Faber and Faber, 2000.
Keir Elam, ‘«Extraordinary silence this evening»: Beckett, the Royal Court Theatre and Krapp’s Last Tape’
Michael Billington, ‘Pinter Plays Beckett’
Harold Pinter, Various Voices, Faber & Faber, London, 2009 (1998),
Martin Esslin, The Theatre of the Absurd, Penguin, London, 1976 (1968).
Guido Almansi, Simon Henderson, Harold Pinter, Methuen, London and New York, 1983.
Michael Billington, Harold Pinter, Faber & Faber, London, 1997.
Ronald Knowles, Understanding Harold Pinter, University of South Carolina Press, 1995.
Roberto Canziani, Gianfranco Capitta, Harold Pinter. Scena e potere, Garzanri, Milano, 2005.
...continua