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Concetti Chiave

  • Preromantic literature in the 18th century emphasized humble subjects and nature, shifting from neoclassical ideals.
  • Poets like Thomas Gray and Robert Burns celebrated simple language and everyday life, highlighting themes of love and rural life.
  • The Gothic novel marked the emergence of Romanticism, with Horace Walpole's "The Castle of Otranto" as a foundational work.
  • Gothic novels often feature complicated plots, supernatural elements, and settings in medieval castles or picturesque landscapes.
  • Common themes in Gothic novels include mystery, horror, and the persecution of a young woman by a sinister male character.

Indice

  1. Preromantic literature
  2. The Gothic novel

Preromantic literature

In the second half of the 18th century, there was an interest in humble subjects and an interest in nature.
The term "nature" began to acquire its modern connotation of external nature as opposed to its Augustan or neoclassical meaning. Poets began to describe natural country scenes in simple language.
Thomas Gray was the first to show a real nterest in the life of humble people.
Robert Burns was a poet who sang of elementary things such as love, music, country life.

The Gothic novel

The first sings of the new Romanticism can be found in the Gothic novel.

Its archetypal work is The Castle of Otranto by Horace Walpole. The novel is set in a old castle in medieval Italy, and it contains what will become the stock - and - trade of Gothic fiction:
- a complicated plot;
- a mixture of realistic details and legends;
- old ruins and night scenes;
- mistery and horror.
Some Gothic novels conlcuded whit a rational explanation of their mysteries.
Gothic novels are set in picturesque sceneries, generally Italian, wich contribute to the suspance. They are characterized by a sinister, gloomy atmosphere and supernatural events, and their main characters are usually an evil or a mysterious man who persecutes a young, beautiful and innocent girl: they are the protagonist of very complicated plots.

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