Concetti Chiave
- The term "utopia" originates from the Greek words for "no place," coined by Thomas More to describe an ideal society, with a pun on "eutopia," meaning a place of ideal welfare.
- Literature has a rich tradition of utopian themes, from Plato's "Republic" to modern works like Orwell's "1984" and Bradbury's "Fahrenheit 451."
- In "Robinson Crusoe," the protagonist's efforts to recreate his society reflect utopian ideals, yet also highlight colonial attitudes and the imposition of Western values.
- The relationship between Crusoe and Friday in the novel illustrates a controversial dynamic of power, where Crusoe's actions mirror colonial domination.
- Critics like James Joyce view "Robinson Crusoe" as a critique of utilitarianism, with the narrative expressing empathy towards Friday and exploring themes of the "Noble Savage."
Origins of the term utopia
The etymology of this word has its roots in ancient Greek: οὐ ("not") and τόπος ("place") that means "no place". This term was coined by Thomas More, it’s an imaginary island described in his Utopia (1516) as enjoying perfection in law, politics.
There's a pun, probably on purpose, with the English homophone word "eutopia", place of ideal welfare, because they are pronounced the same way.
Utopia in literature
The concept of Utopia took place in mythological tradition: the Greek poet Hesiod, around the 8th century BC, in his poem “Works and Days”, explained that prior to the present era there were four age of humankind.
The first recorded Utopian proposal is Plato's Republic and we find several examples in literature of all time of Utopia, to the New Atlantis by Francis Bacon and The City of Sun by Tommaso Campanella from 1984 by George Orwell and Fahrenheit 451 by Ray Bradbury.
Robinson Crusoe and utopia
At first, Crusoe complains about his loneliness but, reflecting the bourgeois value of resourcefulness he begins to build a shelter and all manner of furniture. Exactly halfway through the novel, Crusoe finds a footprint that scares him. It's realize someone's living in the island. He sees a tribal party of so-called "savages". They pratice cannibalism and Crusoe saves one of their victims, which he names Friday (it happened on Friday).
When Robinson takes with him Friday, the novel becomes utopian. The protagonist tries to recreate the social hierarchy of his country on the island, subduing the black youth and implicitly recognizing the superiority of the whites. The English man soon teaches the customs and habits of the British bourgeoisie to the indigenous. Friday becomes a slave converted to Christianity and learns English, his aboriginal name is replaced with a day of the week.
Utopia is realized in the attempt of Robison to impose on a native the western lifestyle, disregarding its origins and its nature. Crusoe from shipwrecked becomes the island's owner and the novel celebrates the values of the puritan mercantile bourgeoisie.
Critiques and interpretations
Robinson's behavior seems despotic towards the slave and for this reason many scholars have criticized the work. James Joyce despises the novel considering it the manifesto of utilitarianism.
Actually Defoe doesn’t write a novel to glorify individualism and from the novel emerges a sympathy towards Friday, considered very intelligent and more sensitive than Robinson. Friday inspires also Rosseau in the myth of "Noble Savage".
Domande da interrogazione
- What is the origin and meaning of the term "utopia"?
- How does "Robinson Crusoe" incorporate utopian elements?
The term "utopia" originates from ancient Greek, combining οὐ ("not") and τόπος ("place"), meaning "no place." It was coined by Thomas More to describe an imaginary island with perfect laws and politics in his work "Utopia" (1516). The term also plays on the homophone "eutopia," meaning a place of ideal welfare.
In "Robinson Crusoe," the protagonist attempts to recreate the social hierarchy of his homeland on the island, imposing Western lifestyle and values on the native, Friday. This reflects a utopian vision where Crusoe becomes the island's ruler, embodying the values of the puritan mercantile bourgeoisie.